Intentional Acoustic Design
I design and build acoustic guitars as a complete, coupled resonant system. From structure to final tuning, the instrument’s behaviour is defined, measured, and adjusted so it responds clearly and consistently under the hands.
An Orchestra model in its final voice.
Coherence you can feel
The focus is not on assembling parts, but on shaping how the instrument behaves under the hands.
- how it responds to different levels of touch
- how acoustic energy is distributed across the registers
- how notes sustain, articulate and interact
This approach positions each instrument within a precise behavioural space to provide the player with a reliable and expressive musical tool.
The Collection
Each model represents a different way the instrument responds and behaves under the hands.
Orchestra
A steel-string designed for clarity and dynamics.
Immediate response under light touch and stable behaviour under stronger input across the fretboard.
Lirica
A compact steel-string designed for low-effort activation and close control.
Fast response under light touch and stable behaviour at low to moderate input.
Seicorde
A nylon-string focused on control and articulation.
Selective response to right-hand input and clear separation between voices.
Settecorde
An extended-range instrument designed for balance across a wider register.
Controlled low-end integration and stable response across strings.
A system, not a sum of parts
My work is guided by one principle: taking responsibility for how an instrument behaves, not just how it is built.
The guitar is approached as an interacting system where structure, mass distribution, stiffness, damping, and coupling shape its behaviour.
For this reason, acoustic targets are defined before the build begins and verified after assembly through precise measurement and tuning. Evaluation and calibration are part of the instrument’s behaviour as a whole.
Not a sum of specifications, but a controlled acoustic behaviour.